String Driven Thing were formed in Glasgow, Scotland in 1968 by the husband and wife team of Chris and Pauline Adams. Their debut self-titled album, released in 1970 in very limited quantities on the Concord label, has become much sought after by collectors. They signed to Charisma Records and released their second album, also self-titled, in 1972, with violinist Graham Smith. At the same time, they released a single, "It's a Game", which was covered by, and became a minor hit for, the Bay City Rollers. Their third album, arguably their best, was called "The Machine that Cried". It was released in 1973, and it was the first album to feature a drummer, in the form of Billy Fairley ( percussion duties were previously handled by John Mannion ), and the band took on a decidedly more progressive feel. After this album, the Adams family ( sorry - couldn't resist ), departed, leaving Graham Smith the responsibility of continuing the band. Recruiting vocalist Kimberely Beacon, who at times sounded like a more refined Rod Stewart, guitarist Alun Roberts, bassist/vocalist James Exell and Beggars Opera drummer Colin Fairley, presumably related to Billy Fairley, he set about releasing two very good albums, " Please mind your Head " in 1974, and then this album, "Keep yer 'and on it" in 1975, both still with Charisma ( 20th Century Records in the US ). String Driven Thing split in the mid seventies, with Smith moving on to Van Der Graaf Generator and Peter Hammill. In the early to mid nineties, Chris Adams reformed the band and released a number of very good albums, including the excellent "Suicide - Live in Berlin 1994" album. It would be nice if some record company somewhere released their last two Charisma albums on CD, though!

String Driven Thing 
String Driven Thing - Stand Back in Amazement, from "Keep yer ' and on it" in 1975, their 5th and final album. Scottish outfit String Driven Thing were formed in mid 1968 by husband and wife Chris and PaulineA dams, on vocals and guitar and vocals and percussion respectively. They were joined by bassist John Mannion, and they recorded their now very collectible self-titled debut on the Concorde Record label in 1970. Violinist Graeme Smith joined and Colin Wilson replaced Mannion for the band's second album (also self-titled), which came out in 1972, their first for Charisma Records. They'd also by now built up a strong following on the club and college circuit. Their third album, "The Machine that Cried", is generally felt to be their best. Drummer Colin Fairley later joined the band, as did guitarist Alun Davies, who replaced Chris Adams (Pauline also left the line-up at this stage). The final two albums, with Smith now essentially the leader of String Driven Thing and featuring vocalist Kim Beacon, were more commercially acceptable, although they weren't particularly well received and the band folded, with Smith joining Van Der Graaf Generator and Peter Hammill. A live album, "It's a Game", was released on Genschmann Records in the late 80's. Graeme Smith later released a solo album on a small label in Iceland and he was involved in a String Driven Thing revival, together with Chris Adams, in the mid 90's.  
  
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Biography by Dave Thompson
One of the finest bands signed to the Charisma label during its early-'70s heyday, Scotland's String Driven Thing originally formed as a trio in 1969, led by the husband-and-wife team of Chris and Pauline Adams, plus percussionist John Mannion. Locally popular at the tail end of the 1960s, the band faded from view shortly after releasing a self-titled debut album in 1970. They continued playing, however, with the lineup expanding to include bassist Colin Wilson

In early 1972, Chris Adams journeyed to London, hoping to interest the Strawbs' management with a three-song demo. Finding himself with some free time, he was flicking through the record labels section of the Yellow Pages when he spotted Stratton Smith Enterprises. He called and found himself in conversation with the head of Charisma chief Tony Stratton Smith's publishing company, Mooncrest Music. Within a week, Stratton Smith himself was in Glasgow, for a String Driven Thing showcase at the Burns' Howff pub; a week after that, the band signed with his label.

Shedding Mannion around the same time, the group returned to Glasgow with a princely retainer of 20 pounds per week, to rehearse. A month later, they went back south for their first ever live shows as a "signed" band: a community hall in the town of Tunbridge Wells, where Strat had his country retreat, and the 1972 Reading Festival. It was an audacious entry, but it worked and the group quickly set to work on its first Charisma album, to be titled — like its independent predecessor — String Driven Thing.

Recorded in two weeks in August 1972 with producer Shel Talmy, the album landed rave reviews across the music press, with Melody Maker in particular leaping onto the group's side. (Amusingly, it later transpired that the album's distinctive gatefold sleeve, designed by Po of Hipgnosis, cost more than the actual recording sessions!)

The band continued pushing forward. Visiting France, they stopped by the renowned Chateau D'Heuroville studios (the Honky Chateau of Elton John fame), where they were filmed recording some songs with a French producer, who later claimed he'd done a better job than Shel Talmy ("he had a point," mused Adams); December 1972, meanwhile, saw the band fly to New York to support Genesis at that band's first ever American show, at the Philharmonic Hall.

String Driven Thing's rise ought to have been inexorable. Their latest single, "Circus," was making waves on both sides of the Atlantic, and plans were afoot for the group to join Genesis on their own latest tours of both Britain and the U.S. Unfortunately, the beginning of 1973 saw Chris Adams hospitalized with a collapsed lung, an event that was to have a serious impact on String Driven Thing's future.

That experience, and the nightmare of the next week's worth of agonizing recuperation was to form the inspiration for much of The Machine That Cried, String Driven Thing's next album. However, although the band did make it onto the British dates, the American shows never happened; instead, the band found itself shunting up and down the British highway system, playing small clubs and universities, and breaking in the new material.

The group's management at this time was being handled by Charisma's own in-house team, a less than satisfactory arrangement, but one that Stratton Smith seemed unwilling to change. Indeed, when Adams approached him to speak of the group's "total lack of confidence" in the setup, he simply "hummed and hawed and did nothing." Neither was that the end of the group's travails. In conversation with another label staffer one day, Adams mentioned that the band was considering adding a drummer to the lineup. A few days later, Stratton Smith showed up at a concert in Oxford, and instead offered them a keyboard player, Robert John Godfrey. He survived a week of rehearsals, but just one show, at the London Roundhouse, before the band declared him unsuitable and brought in a drummer (fellow Glaswegian Billy Fairley) after all. Godfrey went on to his own solo career at Charisma.

In this form, String Driven Thing returned to the studio to record The Machine That Cried, alongside what remains their best-known number, the single "It's a Game." The LP has since been acclaimed not merely String Driven Thing's masterpiece, but one of the finest progressive rock albums of the entire era — its CD reissue on the British Ozit label was widely heralded as among the most intelligent re-releases of recent years, and the excitement that greeted the re-formed String Driven Thing's return to action hailed almost wholly from memories of this marvelous album. At the time, however, all seemed doom-laden. "It's a Game," although it received plenty of British airplay, went nowhere (although a hit Bay City Rollers cover later went some way toward making amends); The Machine That Cried simply died and, by the end of the year, String Driven Thing looked to have followed it, as both the Adams and Chris Wilson walked out. Stratton Smith alone was left to carry the flag, rebuilding the group around himself and newfound vocalist Kim Beacon, and soldiering on until 1975. The two albums that followed both have their place in the prog rock pantheon, but the magic had gone from the band.

It returned in the late '90s, as the Adams returned to the helm, overseeing both reissues of the band's original albums, and the preparation of new material and concerts. 

 

Kim Beacon
Colin Wilson
Chris Adams
Pauline Adams
James Exell
Colin Fairley
Alun Roberts
Graham Smith
Jonathan Mannion

Fairport Convention

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String Driven Thing - 1972 - String Driven Thing - 3/5

String Driven Thing - 1973 - The Machine That Cried - 4.5/5

String Driven Thing - 1974 - Please Mind Your Head - 3/5

String Driven Thing - 1975 - Keep Yer' and On It - 1.5/5

String Driven Thing - 1995 - Live in Manchester - 4/5

String Driven Thing - 1997 - Suicide, Live in Berlin - 4/5

String Driven Thing - 2002 - Studio '72, Live Switzerland '73 and Live London '95 - 4/5

String Driven Thing - 2004 - The Early Years (Mark Two) - 4.5/5

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