Mott the Hoople were formed in the late sixties by bassist/vocalist Overend Watts, guitarist/vocalist Mick Ralphs, keyboard player Verden Allen and drummer Dale 'Buffin' Griffin, all of whom had been in a Hereford-based pub rock/covers band called "The Doc Thomas Group". Original vocalist Stan Tippins left and was replaced by Ian Hunter, previously of " At Last the 1958 Rock 'n Roll Show". Manger and producer Guy Stevens gave them their name, taking it from a 1967 novel by Willard Manus. Hunter was an avid Bob Dylan fan and his similar vocal style was highlighted on their debut album, which reached number 66 in the UK. Three further albums were released, also on Island Records, but none really did much for the band, who were now close to calling it a day. A lifeline, in the form of David Bowie, emerged in 1972. The track, "All the young dudes", written by Bowie, turned their career around, and they embarked on a UK and a US tour that year. Mick Ralphs later left to form Bad Company, and was replaced by Luther Grosvenor, alias Ariel Bender, of Spooky Tooth fame. The band would undergo a few more major changes during the next two or so years before splitting in November 1976. They became known as "The British Lions" in May 1977.

Mott the Hoople
 Mott the Hoople - Death may be your Santa Claus, from "Brain Capers", in 1971, their fourth album. We've featured this excellent but controversial UK rock outfit on numerous occasions on the show, so we won't go into too much detail again about them this time around This album was, in many people's view, one of the best albums they ever recorded and showed the band at their "heaviest", if that's the right word to use. Mick Ralphs was a fine guitarist, and he would later go on to demonstrate how good he was in Bad Company a few years later. Vocalist/pianist/guitarist Ian Hunter gave the band that air of "mystery" (after all, how many photo's of Hunter have you seen him without his trademark dark glasses? Many people actually thought he was blind! ). Keyboard player Verden Allen, bassist Overend Watts and drummer Dale Griffin (Buffin) were the other equally important members of the band that unleashed their brand of brash, uncompromising rock on appreciative audiences all over the world, although they were one of the bands slated by the press but loved by the punters. Ironically, they were apparently intending to pack it in after this album, but David Bowie stepped in with a few guarantees that the record company was looking for, and he helped them record and produced their "All the Young Dudes" album in 1972. Their fortunes took a serious turn for the better with this new lease on life and they had further success with tracks like "Honaloochie Boogie" and "Roll away the Stone". The inevitable split occurred in 1974 when Ralphs left to form the aforementioned Bad Company, his replacement being Ariel Bender (aka Luther Grosvenor), ex-Spooky Tooth. Hunter also left to embark on a solo career, working with the late Mick Ronson. Later members included Ray Majors, Mick Bolton, Morgan Fisher and Nigel Benjamin, with the band dropping the "the Hoople" part of the name prior to splitting in the mid to late seventies. Buffin, Watts, Majors and Fisher went on to form the underrated British Lions in 1978. Mott the Hoople were an important link in the British rock scene of the seventies, and if you've got the bucks and if you want to find out more about them, treat yourself to the stunningly compiled and packaged three CD anthology called "All the Young Dudes" put out by Sony Music in 1998. It's got to be one of the best box sets ever released.
  
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Biography by Stephen Thomas Erlewine
Mott the Hoople are one of the great also-rans in the history of rock & roll. Though Mott scored a number of album rock hits in the early '70s, the band never quite broke through into the mainstream. Nevertheless, their nasty fusion of heavy metal, glam rock, and Bob Dylan's sneering hipster cynicism provided the groundwork for many British punk bands, most notably the Clash. At the center of Mott the Hoople was lead vocalist/pianist Ian Hunter, a late addition to the band who developed into its focal point as his songwriting grew. Hunter was able to subvert rock & roll conventions with his lyrics, and the band — led by guitarist Mick Ralphs — had a tough, muscular sound that kept the group firmly in hard rock territory, even when flirting with homosexual imagery and glammy makeup. However, their lack of success meant that they inevitably splintered apart in the '70s, with Ralphs forming Bad Company and Hunter launching a cult solo career.

Mick Ralphs (lead guitar, vocal), Verden Allen (organ), Overend Pete Watts (bass), and Dale "Buffin" Griffin (drums) formed Silence in 1968 and began playing around their hometown of Hereford, England. Early in 1969, the band added vocalist Stan Tippens and landed a record contract with Island (Atlantic in the U.S.), heading to London to record with producer Guy Stevens, whose first move was to change the band's name to Mott the Hoople, after a Willard Manus novel. By the summer, Tippens was fired, later becoming the band's road manager, and was replaced by Ian Hunter. Mott the Hoople's eponymous debut album was released in the fall of 1969 and it became an underground hit, known for its fusion of Blonde on Blonde-era Dylan and heavy metal, as well for its straight cover of Sonny Bono's "Laugh at Me" and its pounding instrumental version of the Kinks' "You Really Got Me."

Despite all of the attention, Mott the Hoople received, it didn't sell well and neither did its poorly reviewed 1970 follow-up, Mad Shadows. The band returned in 1971 with the country-tinged Wildlife, which was its least popular record to date. Despite their lack of sales, Mott the Hoople had gained a cult following in Britain through their constant touring. At a concert at the Royal Albert Hall in July 1971, the band sparked a mini-riot that led the venue to ban rock concerts for a number of years. More than any of their previous releases, Brain Capers (1971) demonstrated the band's live power, but when it failed to sell, the group was prepared to disband.

Just as the band was about to split, David Bowie intervened and convinced the group to stay together. Riding at the height of his Ziggy Stardust popularity, Bowie agreed to produce Mott's next album and offered "Suffragette City" for the bandmembers to record. They refused the song, asking for "Drive-In Saturday" instead. They eventually settled for "All the Young Dudes," which became the group's breakthrough hit. An explicitly gay anthem recorded by a heterosexual band, "All the Young Dudes" became the anthem for the glam rock era, becoming a number three hit in the U.K. and a Top 40 hit in the U.S. in the summer of 1972. An album of the same name was released on Columbia Records in the fall, and it became a hit in the U.K. and the U.S.

Allen left the band before the recording of the group's follow-up to All the Young Dudes, citing Hunter's reluctance to record his songs. A concept album about a rock band struggling for success, Mott, released in the summer 1973, expanded the band's success, receiving good reviews and peaking at number seven in Britain and number 35 in America. "All the Way from Memphis" and "Roll Away the Stone" became Top Ten hits in the U.K., confirming the band's status as one of the leaders of the glam rock movement. In the summer of 1974, Hunter published Diary of a Rock Star to great acclaim in the U.K.

While the bandmembers were finally experiencing the success that they had desired, the group was beginning to fall apart. Frustrated with Allen's departure, as well as the fact that his song "Can't Get Enough" was out of Hunter's range, Ralphs left Mott in late 1973 to form Bad Company with Paul Rodgers. He was replaced by former Spooky Tooth guitarist Luther Grosvenor, who changed his name to Ariel Bender upon joining the band; keyboardist Morgan Fisher also joined the group. The new lineup toured in late 1973, and the concerts were documented on 1974's Mott the Hoople Live. The live record was released after The Hoople appeared in the spring, peaking at 11 in the U.K. and 28 in the U.S. on the strength of the singles "The Golden Age of Rock & Roll" and "Foxy Foxy." Former Bowie guitarist Mick Ronson replaced Bender in the fall of 1974 upon Hunter's request. Within a few months, the pair left the band to begin working as a duo. The remaining members of Mott the Hoople added guitarist Ray Major and vocalist Nigel Benjamin, truncating their name to Mott. The new incarnation of the group released Drive On (1975) and Shouting and Pointing (1976) to little attention before adding John Fiddler as their lead singer and changing their name to British Lions. They split up two years later.

Though the allegiance between Ian Hunter and Mick Ronson was short-lived, it was well-received and the two would continue to sporadically work together until Ronson's death in 1993. Hunter pursued a moderately successful solo career, highlighted by his eponymous 1975 album and 1979's You're Never Alone With a Schizophrenic. Hunter's "Ships" was covered by Barry Manilow in 1975, while Great White took his "Once Bitten, Twice Shy" into the Top Ten in the early '90s. 

 

Ian Hunter
Luther Grosvenor
Mick Ronson
Morgan Fisher
Verden Allen
Ariel Bender
Nigel Benjamin
Dale Buffin Griffin
Mick Ralphs
Blue Weaver
Pete Watts
Ray Major
Stan Tippins

T. Rex
New York Dolls
David Johansen
Faces
David Bowie
Mick Ralphs
Geordie
The Billion Dollar Babies
Eddie & the Hot Rods
The James Gang
Thin Lizzy
Free
Johnny Thunders
The Who
Sweet
The Sex Pistols
Queen
Iggy Pop
Led Zeppelin
Def Leppard
The Damned

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Mott the Hoople - 1969 - Mott the Hoople - 4/5

Mott the Hoople - 1970 - Mad Shadows - 2/5

Mott the Hoople - 1971 - Brain capers - 4.5/5

Mott the Hoople - 1971 - Wildlife - 4/5

Mott the Hoople - 1972 - All the Young Dudes - 5/5

Mott the Hoople - 1973 - Mott - 5/5

Mott the Hoople - 1974 - Live - 3/5

Mott the Hoople - 1974 - The Hoople - 4.5/5

Mott the Hoople - 1975 - Drive On - 2/5

Mott the Hoople - 1976 - Shouting and Pointing - 1/5

Mott the Hoople - 2000 - Rock 'n' Roll Circus, Live Wolverhampton Civic Hall, 6th April 1972 - 1.5/5

Mott the Hoople - 2003 - Mad Shadows (Bonus Tracks) - 4/5

Mott the Hoople - 2003 - Wildlife (Bonus Tracks) - 4/5

Mott the Hoople - 2004 - Brain Capers (Bonus Tracks) - 4.5/5

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