Loudness are, next to the mighty Anthem, arguably one of Japan's finest metal bands. Formed in the early eighties, and heavily influenced by the likes of Van Halen and Rush, Loudness were fronted by vocalist Minoru Nihara and virtuoso guitarist Akira Takasaki, who released a solo album in 1984. If they had any shortcomings, it was Nihara's attempts at singing in English, but musically they could scramble brains like any UK, US or European heavy metal act. Nihara left the band and was replaced by Mike Vescera, ex-Obsession (now MVP). They're still around today - Dream Catcher Records released "Dragon/Ghetto Machine" and "Engine" in 1999, but their earlier material was much better, even with Nihara's dodgy vocals.
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Biography by Ed Rivadavia
By the time they were introduced to the West by 1985's Thunder in the East album, Japan's Loudness had arguably already hit their peak. Their previous effort, Disillusion, was the fourth chart-topping release in their homeland, not to mention a critical triumph among members of the European press. But when faced with a contingency plan to conquer America, Loudness were gradually forced to alter their sound by unsuitable producers and clueless record company hacks, never coming close to translating their far-East success into Western stardom.

Guitarist Akira Takasaki and drummer Munetaka Higuchi first played together during the mid-'70s in a mainstream rock band called Lazy. Unhappy with the band's direction, the duo split and decided to follow in the footsteps of Bow Wow (the first ever Japanese heavy metal band), forming Loudness with vocalist Minoru Niihara and bass player Masayoshi Yamashita. Combining a classic metal approach with

Takasaki's Eddie Van Halen-inspired guitar heroics, the band immediately scored local success with their first three albums, which were sung entirely in Japanese. But it wasn't until the release of their first live album, Live-Loud-Alive, and fourth studio effort Disillusion that the group attracted any significant attention outside their homeland, eventually issuing an English version of Disillusion.

Atlantic Records soon came calling and the band's international career began in earnest with 1985's Thunder in the East, which sold quite well in the U.S. for its novelty value, giving the band false hopes about their acceptance by Western metal audiences. Subsequent efforts, Lightning Strikes and Hurricane Eyes, were "made to order" records geared for the American market, and saw the band slowly drifting away from their roots towards a more commercial, pop-metal sound. All to no avail, and after recording 1988's independently-released Jealousy, the classic lineup's glory years came to an end with the firing of Niihara and the arrival of American-born singer Mike Vescera for 1989's Soldier of Fortune. 1991's disappointing On the Prowl saw them resort to re-recording watered down versions of some of their Japan-only material and would be the last to feature Vescera, who briefly joined the temperamental Yngwie J. Malmsteen's band.

Yamada Masaki, from rival Japanese metal band EZO, was brought in for Loudness' 1992 self-titled effort, 1994's Heavy Metal Hippies, and 1997's Ghetto Machine. The latter saw the departure of the band's long-time rhythm section being replaced by bassist Shibata Naoto and drummer Homma Hirotsugu. This lineup recorded two more albums, 1998's Dragon and 1999's Engine, after which it has been rumored that Takasaki welcomed back the original members for an as yet unconfirmed reunion. 


Munetaka Higuchi
Minoru Niihara
Akira Takasaki
Masayoshi Yamashita
Mike Vescera
Yamada Masaki
Shibata Naoto
Homma Hirotsugu


If you have any contribution to make to this band or something to add, email me - Japie Marais.


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Loudness - 1970 - The Birthday Eve - 2/5

Loudness - 1982 - On the Prowl - 2/5

Loudness - 1983 - Law of Devil's Land - 4/5

Loudness - 1984 - Disillusion - 2/5

Loudness - 1985 - Thunder in the East - 2.5/5

Loudness - 1986 - Lightning Strikes - 3/5

Loudness - 1987 - Hurricane Eyes - 1.5/5

Loudness - 1989 - Soldier of Fortune - 4/5

Loudness - 1992 - Loudness - 2/5

Loudness - 1994 - Heavy Metal Hippies - 1.5/5

Loudness - 1997 - Ghetto Machine - 3.5/5

Loudness - 1998 - Dragon - 4/5

Loudness - 1999 - Devil Soldier - 2.5/5

Loudness - 1999 - Engine - 3/5

Loudness - 2001 - Eurobounds - 4/5

Loudness - 2002 - Biosphere - 4/5

Loudness - 2002 - Pandamonium - 4/5

Loudness - 2004 - Crazy Samurai - 4/5

Loudness - 2004 - Original - 4/5

Loudness - 2004 - Rockshocks - 4/5

Loudness - 2005 - Racing - 3.5/5

Loudness - 2005 - Shadows of War - 3.5/5



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