Born on January 19th, 1943 in Texas in the US. In the early sixties, she hitchhiked to California and San Francisco where she sang with The Waller Creek Boys and later appeared opposite Jorma Kaukonen (Jefferson Airplane) at local night spots. She returned to Texas in 1966 where she briefly rehearsed with the 13th Floor Elevators before joining Big Brother and the Holding Company after returning to San Francisco that same year. They released their debut, self-titled album in 1967 on the little-known Mainstream Record label. The album so impressed Columbia Records that they were immediately snapped up, releasing the excellent "Cheap Thrills" album in September 1968. The album stayed at the top of the US charts for eight weeks. When Big Brother temporarily folded late that year, Joplin embarked on a solo career, although her substance abuse was becoming increasingly pronounced. She released her debut solo album, "I Got dem ol' Kosmic Blues again", in 1969. The album reached number five on the US charts and helped cement her reputation as one of the best female singers around. On our featured album, Joplin was now backed by what was known as "The Full Tilt Boogie Band", which comprised drummer Clark Pierson, bassist Brad Campbell, guitarist John Till, Ken Pearson on organ and Richard Bell on piano. Unfortunately, before the album was completed, Joplin died on 4th October 1970. The coroner's verdict reported that her death was due to an accidental drug overdose - a terrible waste of talent. But for her death, she would probably have become the greatest female singer of all time. The past few years have seen the release a number of previously unreleased Joplin and Big Brother albums, all of which are worth checking out. 

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Biography by Richie Unterberger
The greatest white female rock singer of the 1960s, Janis Joplin was also a great blues singer, making her material her own with her wailing, raspy, supercharged emotional delivery. First rising to stardom as the frontwoman for San Francisco psychedelic band Big Brother & the Holding Company, she left the group in the late '60s for a brief and uneven (though commercially successful) career as a solo artist. Although she wasn't always supplied with the best material or most sympathetic musicians, her best recordings, with both Big Brother and on her own, are some of the most exciting performances of her era. She also did much to redefine the role of women in rock with her assertive, sexually forthright persona and raunchy, electrifying on-stage presence.

Joplin was raised in the small town of Port Arthur, TX, and much of her subsequent personal difficulties and unhappiness has been attributed to her inability to fit in with the expectations of the conservative community. She'd been singing blues and folk music since her teens, playing on occasion in the mid-'60s with future Jefferson Airplane guitarist Jorma Kaukonen. There are a few live pre-Big Brother recordings (not issued until after her death), reflecting the inspiration of early blues singers like Bessie Smith, that demonstrate she was well on her way to developing a personal style before hooking up with the band. She had already been to California before moving there permanently in 1966, when she joined a struggling early San Francisco psychedelic group, Big Brother & the Holding Company. Although their loose, occasionally sloppy brand of bluesy psychedelia had some charm, there can be no doubt that Joplin — who initially didn't even sing lead on all of the material — was primarily responsible for lifting them out of the ranks of the ordinary. She made them a hit at the 1967 Monterey Pop Festival, where her stunning version of "Ball and Chain" (perhaps her very best performance) was captured on film. After a debut on the Mainstream label, Big Brother signed a management deal with Albert Grossman and moved on to Columbia. Their second album, Cheap Thrills, topped the charts in 1968, but Joplin left the band shortly afterward, enticed by the prospects of stardom as a solo act.

Joplin's first album, I Got Dem Ol' Kozmic Blues Again Mama!, was recorded with the Kozmic Blues Band, a unit that included horns and retained just one of the musicians that had played with her in Big Brother (guitarist Sam Andrew). Although it was a hit, it wasn't her best work; the new band, though more polished musically, was not nearly as sympathetic accompanists as Big Brother, purveying a soul-rock groove that could sound forced. That's not to say it was totally unsuccessful, boasting one of her signature tunes in "Try (Just a Little Bit Harder)."

For years, Joplin's life had been a roller coaster of drug addiction, alcoholism, and volatile personal relationships, documented in several biographies. Musically, however, things were on the upswing shortly before her death, as she assembled a better, more versatile backing outfit, the Full Tilt Boogie Band, for her final album, Pearl (ably produced by Paul Rothchild). Joplin was sometimes criticized for screeching at the expense of subtlety, but Pearl was solid evidence of her growth as a mature, diverse stylist who could handle blues, soul, and folk-rock. "Mercedes Benz," "Get It While You Can," and Kris Kristofferson's "Me and Bobby McGee" are some of her very best tracks. Tragically, she died before the album's release, overdosing on heroin in a Hollywood hotel in October 1970. "Me and Bobby McGee" became a posthumous number one single in 1971, and thus the song with which she is most frequently identified. 

 

 

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Janis Joplin - 1969 - I Got Dem Ol' Kozmic Blues Again Mama - 3/5

Janis Joplin - 1971 - Pearl - 5/5

Janis Joplin - 1972 - In Concert - 3/5

Janis Joplin - 1999 - Live at Woodstock, August 16, 1969 - 4/5

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