The band's roots go way back to the mid sixties in Oldham in the UK, when they evolved out of The Blues Keepers and Heart and Soul and the Wickeds. These merged into a six piece Blues Keepers which became a quartet in 1966. They adopted the name Barclay James Harvest soon afterwards. The initial members were Stuart " Wooly '' Wolstenholm on keyboards and vocals, John Lees on guitars and vocals, Mel Pritchard on drums and Les Holroyd on bass. Shortly after the release of their debut single, ''Early Morning" in 1968,they met Robert John Godfrey (later of The Enid fame), who helped them assemble The Barclay James Harvest Orchestra. This basically consisted of a loose knit group of classic music students who accompanied the band at live concerts and on recordings. Their debut album,' 'Barclay James Harvest", was recorded at the famous Abbey Road studios in 1970 and released on EMI's new progressive Harvest label. It was an excellent combination of complex orchestral arrangements and rock, making it one of the first rock albums to be recorded with a symphony orchestra. The follow-up album, "Once Again", was equally as good, and it was on this album that the original studio version of our featured track was released. "Mockingbird" was their best known recording from the early years. Subsequent albums unfortunately failed to repeat the success of their earlier offerings and they were beginning to get into financial difficulties as a result of their lack of commercial success, mismanagement and the high cost of keeping an orchestra on the road. After a bitter split with their management, they eventually secured a new recording contract with Polydor Records and released their first album for the label in 1974. They never realized their full commercial potential in Britain, but went on to become very popular in Europe, and especially in Germany, where they apparently ended up being based. Wolstenholm left the band in the late seventies and released a solo album called "Maestoso". They released in excess of 25 albums between 1970 and 1994.

Question: "When Barclay James Harvest recorded their debut album in 1970, were they a trio, a quartet or a quintet?"
Answer: A quartet. 
Alan Parsons Project 
Alan Parsons Project - The Raven, from "The very best of ..Live", released in 1995. This is an excellent version of the track originally released on the band's debut album, "Tales of Mystery and Imagination", released in 1975, and the album, which was recorded on tour in Europe in May 1994, features guitarist Ian Bairnson, keyboard player Andrew Powell, bassists Jeremy Meek and Felix Krish, drummer Stuart Elliott, vocalists Chris Thompson and Gary Howard and sax player Richard Cottle, together with Alan Parsons on rhythm guitar, keyboards and background vocals. The album also features some of their best known numbers, such as "Eye in the Sky", "Prime Time" and "Standing on Higher Ground', in addition to two previously unreleased studio tracks. If you'd like more information on The Alan Parsons Project, check out our earlier write-up on this excellent writer/producer/keyboard player in these pages.

 

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Biography by Bruce Eder
Barclay James Harvest was, for many years, one of the most hard-luck outfits in progressive rock. A quartet of solid rock musicians — John Lees, guitar, vocals; Les Holroyd, bass, vocals; Stuart "Woolly" Wolstenholme, keyboards, vocals; and Mel Pritchard, drums — with a knack for writing hook-laden songs built on pretty melodies, they harmonized like the Beatles and wrote extended songs with more of a beat than the Moody Blues. They were signed to EMI at the same time as Pink Floyd, and both bands moved over to the company's progressive rock-oriented Harvest imprint at the same time, yet somehow, they never managed to connect with the public for a major hit in England, much less America.

The group was formed in September of 1966 in Oldham, Lancashire. Lees and Wolstenholme were classmates who played together in a band called the Blues Keepers; that group soon merged with a band called the Wickeds, which included Holroyd and Pritchard. They became Barclay James Harvest in June of 1967 and began rehearsing at an 18th century farmhouse in Lancashire. The psychedelic era was in full swing, and the era of progressive rock about to begin — the Moody Blues, in particular, were beginning to cut an international swathe across the music world. BJH cut a series of demos late in the year, and by the spring of 1968 they were signed to EMI's Parlophone label; in April they issued their first single, a folky, faux-classical song called "Early Morning." The group got caught up a year later in a corporate change at EMI, and it was decided to move the more progressive sounding groups on the label onto a new label — Harvest, taken from BJH's name. Their first release on the new label was the single "Brother Thrush."

In 1970, they released their first album, Barclay James Harvest, which included several of the early songs and displayed the group's strengths: filled with strong harmony singing, aggressive electric guitar, and swelling Mellotron parts, it set the pattern for their subsequent releases, with Lees and Holroyd handling most of the songwriting. The album failed to chart, and a subsequent tour was a financial disaster. Their second album, Once Again (1971), was an artistic letdown, made up of rather lethargic songs, although it did contain the superb, "Mockingbird," The band recorded two more albums for Harvest, Short Stories (1971) and Baby James Harvest (1972), and spent much of 1972 on the road, including an unsuccessful tour of the U.S. They also released a pair of singles, "When The City Sleeps" and "Breathless," under the pseudonym "Bombadil" (a name taken from a J.R.R. Tolkien short story), all to no avail. 1973 saw them part company with EMI after one last single, "Rock and Roll Woman."

Later in 1973, the band signed with Polydor, and their fortunes began turning around, though only very gradually. Their first album for the new label, Everyone Is Everybody Else, seemed promising: it was a more powerful and coherent work than the group had ever released for EMI, with Lees' guitar dominating on songs like "Paper Wings" and "For No One." The album also presented the first example of the group consciously paying tribute to (and satirizing) another group's hit song — "Great 1974 Mining Disaster" was a very heavy sounding tribute/satire of the Bee Gees' "New York Mining Disaster 1941." (They would later do work in this vein involving the Moody Blues.) The album failed to chart, however, as did the single "Poor Boy Blues," with its gorgeous harmonies.

It seemed at first as though BJH was locked once again into a cycle of failure. Finally, in late 1974, their double album Barclay James Harvest Live broke through to the public — the group was rewarded with a Top 40 placement in England and more sales activity on the European continent than they'd previously seen. Their next album, Time Honoured Ghosts, recorded in San Francisco, continued this gradual breakthrough when it was released in 1975, reaching number 32 in England. A year later, Octoberon reached the Top 20. An EP containing live versions of "Rock 'N Roll Star" and "Medicine Man" became another chart entry in the spring of 1977. By this time, EMI had begun to take advantage of the success of the group's Polydor work, and released A Major Fancy, a John Lees' solo album that had sat on the shelf for five years.

In 1977, they released Gone to Earth, their most accomplished album to date, and by the end of the year the group found themselves playing to arena-sized audiences. The release of XII in 1978 — which managed to just miss the British Top 30 — was followed by the group's first (and only) personnel shake-up. In June of 1979, Wolstenholme announced his exit from the band in favor of a solo career; the group's final tour with Wolstenholme was recorded and later released by Polydor under the title The Live Tapes. He was replaced by two new members, singer-keyboardman-saxophonist Kevin McAlea and singer-guitarist-keyboardman Colin Browne; Wolstenholme released one solo album, 1979's Maestro, to little success and then retired for a time from the music business.

Their 1979 album Eyes of the Universe was a modest hit in England, but its release marked a flashpoint in Barclay James Harvest's career in continental Europe, especially Germany; on August 30, 1980, the band performed a free concert in front of nearly 200,000 people at the Reichstag in Berlin, which was filmed and recorded. A subsequent live album, Concert for the People, became the group's biggest selling album in England, rising to number 15 in 1982. Turn of the Tide (1981) and Ring of Changes (1983) were less successful, although the latter did spawn their last charting single, "Just a Day Away." Their subsequent Polydor albums, Victims of Circumstance, Face to Face, and Welcome to the Show, charted ever lower in England, even as the group's popularity grew in Europe. In 1988, they released a new live album, Glasnost, cut at a concert in East Berlin.The group marked the 25th anniversary with a concert in Liverpool, and toured to support a British Polydor compilation, The Best of Barclay James Harvest. 

 

John Lees
Les Holroyd
Kevin McAlea
Mel Pritchard
Stewart Wooly Wolstenholme
Colin Browne

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Al Stewart

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Barclay James Harvest - 1970 - Barclay James Harvest - 4.5/5

Barclay James Harvest - 1971 - Once Again - 3.5/5

Barclay James harvest - 1972 - Baby James Harvest - 3.5/5

Barclay James Harvest - 1972 - Barclay James Harvest and Other Short Stories - 4/5

Barclay James Harvest - 1972 - BBC in Concert 1972 - 4.5/5

Barclay James Harvest - 1974 - Everyone Is Everybod Else - 4/5

Barclay James Harvest - 1974 - Live - 4/5

Barclay James Harvest - 1975 - Time Honoured Ghosts - 3/5

Barclay James Harvest - 1976 - Oktoberon - 3/5

Barclay James Harvest - 1977 - Gone to Earth - 4/5

Barclay James Harvest - 1978 - Live Tapes - 2/5

Barclay James Harvest - 1978 - XII - 2/5

Barclay James Harvest - 1979 - Eyes of the Universe - 2/5

Barclay James Harvest - 1981 - Turn of the Tide - 3/5

Barclay James Harvest - 1982 - Berlin (A Concert for the People) - 4/5

Barclay James Harvest - 1983 - Ring of Changes - 3/5

Barclay James Harvest - 1984 - Victims of Circumstance - 2/5

Barclay James Harvest - 1992 - Face to Face - 2.5/5

Barclay James Harvest - 1992 - Welcome to the Show - 3.5/5

Barclay James Harvest - 1993 - Caught in the Light - 3.5/5

Barclay James Harvest - 1993 - Revival, Live 1999 - 4/5

Barclay James Harvest - 1999 - River of Dreams - 3/5

Barclay James Harvest - 2000 - Revival, Live 1999 - 4/5

Barclay James Harvest - 2001 - Through the Eyes of John Lees - 3/5

Barclay James Harvest - 2002 - ...and Other Short Stories - 4/5

Barclay James Harvest - 2002 - Brave New World - 4/5

Barclay James Harvest - 2002 - Nexus - 3/5

Barclay James Harvest - 2003 - Echoes of a Brave New World - 4/5

Barclay James Harvest - 2003 - Live In Bonn - 4/5

Barclay James Harvest - 2003 - Revolution Days - 3.5/5

Barclay James Harvest - 2003 - Time Honoured Ghosts (Bonus Track) - 4/5

Rating

 

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